Sur l'introduction expérimentale du premier signe humain dans les paysages naturels - DOI 10.5216/ag.v1i1.2719

Abstract

Abstract My artistic work has been susceptible by the status crash of a personal mystic environment and his domestication. First of all reactional, my work consisted to sew faults of rocks in places to become industrialised, in order to make a last link between ephemeral, beauty and myth. Later, technological expansion has lead me to go in search of very isolated sites, where my work is a personal exchange whit the site who suggest it, and which it is destined. This traces supplied new legends, launched controversial and found support of public government. Pictures of those sewed landscapes are showed to a public unaware of the local reality, so that it will be confronted to the view of our activities into a living space with no limits. Virgin sites idealise nature without wake up our fear. So the human trace is ambiguous: sully or finery, complicity or aggression ? This way evolve our conception of nature, while reciprocally shaping landscape and humanity. Key-words: to sew, domestication, nature, landscapes, Papenoo.