CARNIFYING IN DANCE THE FEMALE STORIES THAT LIVE IN ME
THE DRAMATURGY OF ORALITY AS A PATH OF CREATION
DOI:
https://doi.org/10.5216/ac.v9i1.75950Abstract
In this article, we seek to present how the access to the basements of the memories of the women of the Mulato family took place, being they of indigenous ethnic origin, who had their source in the xxxxxxxxxxxx hinterland, that is, they are sertanejas. It is worth pointing out that in uncovering the narratives, collected via the Listening Survey (Nunes, 2020), the primary objective was to document and, a posteriori, to dance, in the performance scene, the oral stories that were collected, when carnified in the creation procedures of the Dramaturgy of Orality, guided by sensory stimuli. In this way, we can reveal that this is a research that has been rubbing with themes such as memory, bodies and oral histories, also building tripods of interlocution between some theories and notions of gender to deal with the feminine.
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