Body, voice, word and power.
A negação do negro no Teatro brasileiro.
DOI:
https://doi.org/10.5216/ac.v7i2.70461Abstract
Article presenting the result of applying the description of the discourse proposed by Michel Foucault to the analysis of a work on the History of Brazilian Theater, with attention to the treatment offered to blackness. The statements presented by the author exalt a freed black man, as the first Brazilian actor recognized as such, in the same way that they consider that blacks disappear from the stage after the 19th century. Starting from the same arguments, but thinking Theater beyond dramaturgy, we were able to prove the opposite, especially considering the body as a central element of theatical making, instead of the written word.
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