FIELD CONSTITUTION AND POWER RELATIONS,
¿a mark in the ways of making dance?
DOI:
https://doi.org/10.5216/ac.v6i2.66105Abstract
This paper intends to give a landscape on what the autor considers are some significant moments for contemporary scenic mexican dance field and its constitution. The text raises these significant moments that defined the permanence of some practices, modes to conceive dance and make it, as well as the mexican dance makers´ habitus. This habitus has its roots on the relation these actors have with the State and its institutions, that has joined these actors in various ways, supporting and excuding some of them in diferent moments. To think about these issues are important the conceptualization of some authors, and among them is Pierre Bourdieu, as much as his theoretical construction is useful to think about the power relations given in the artistic fields. Also are mentioned some authors who have written about scenic dance in Mexico and Latin America, who give interesting points of view about dance history in our countries.
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