Break the Calabash, Spread the Seed
Play with Dance and Dance with Capoeira
DOI:
https://doi.org/10.5216/ac.v5i1.56214Abstract
This article is a synthesis of a research of a qualitative character and experimental in dance that launched the look for Capoeira Angola, considering its possible contributions to the process of choreographic composition and training of the dancer, both with regard to aspects technical and poetics. The title of the present work refers to an excerpt from a capoeira song "Quebra cabaça, espalha a semente” (break the gourd spreads the seed), and here the gourd is a belly metaphor and the seed of the fruit that is born from the contact with the songs, images and Games of Capoeira Angola. Field research was developed in the Águas de Menino, project linked to the Capoeira Angola Angoleiro Sim Sinhô Center (CCAASS). The experience in the project was associated to the studies on the process of creation in dance intending the reflection on a dance that plays with the capoeira marking an Afro-Brazilian identification.
Downloads
References
Dossiê do Iphan: Roda de Capoeira e Ofício dos Mestres de Capoeira. 2014.
SILVA, Renata de Lima. Mandinga da rua: a construção do corpo cênico a partir de elementos da cultura popular urbana. Dissertação de Mestrado. Unicamp. Campinas SP: 2004
SILVA, Renata de Lima. Corpo limiar e encruzilhadas: processo de criação na dança. Goiânia: Editora UFG, 2012.
SILVA, Renata de Lima; LIMA, Marlini Dorneles. Entre raízes, corpos e fé: poétnografias dançadas. Revista Moringa - Artes do Espetáculo (UFPB), v. 5, p. 1-16, 2014.
REGISTRO FOTOGRÁFICO
ROBERTO, Tatiany Stefany Silva. Local: Núcleo de Educação Intercultural Takinahaky - UFG. data: 16 de julho de 2016. Das 15:00hs às 18:10hs.
Downloads
Published
How to Cite
Issue
Section
License
The Art on Stage Journal uses the Creative Commons - Attribution-Non-Commercial 4.0 International license as a basis for transferring rights, for open access journals (Open Archives Initiative - OAI).
Authors who publish in this journal agree with the following terms:
1) Authors retain the copyright and grant the Art on Stage Journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution Non Commercial License.
2) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this Journal (eg, publishing in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, provided that the reference to the place of publication is cited, that is, the electronic address / reference of Art on Stage Journal.
4) The authors of the works published in the Art on Stage are expressly responsible for their content.
5) Authors will not be paid for publication of works in the Art on Stage Journal.