The embodied visuality in La Bête by Wagner Shwartz
DOI:
https://doi.org/10.5216/ac.v3i2.49299Keywords:
antiteatralidade, visualidade, participação, La Bête.Abstract
Starting from the observation/participation in Wagner Shwartz’s La Bête (2013-), the writing develops a re ection about the particular way in which the production of meaning in this participatory action is installed. For the intended study, the concepts of anti-mimesis and anti-theatricality will be used as a vector of analysis from the approach of Luiz Fernando Ramos (2015), and of visuality in the scenic praxis based on some re ections arisen in the encounter with Prof. Dr. Eduardo Tudella during the seminar “Spectacular and scenic praxis” (2017). It will later describe the action proposed by Shwartz to the viewers, to re ect about the participation in this spectacular experience.
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