BERTOLT BRECHT AND THE POPULAR COMMIT KARL VALENTIN - PRINCIPLES OF BUFFONARIA FOR A CRITICAL PERFORMANCE
DOI:
https://doi.org/10.5216/ac.v3i1.43346Keywords:
buffoonery, social criticism, actor's work, Karl Valentin.Abstract
In this article we analyze how Bertolt Brecht appropriates the characteristic elements of buffoonery, from their practical experience alongside the popular comic Karl Valentin, to think about techniques for the actor of his theater, a theater that aims at social transformation. This analysis arises from reflections within a research that develops from the graduation in Theater and today gains greater dimensions in the doctorate and teaching, permeate studies and practices with the buffoon, whose axis the relationship between artistic practice and actor policy that seeks the mood a creative possibility in an attempt to achieve social criticism, or even open a discussion course on policy issues believes relevant reflection. Therefore, it seeks references from comic actors, who are believed to use elements of buffoonery and humor in their scenic practices to carry out social criticism, trying to understand how to operate in practice this comic game that aims to denounce.Downloads
References
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