The Atlas Project: curating and exhibiting as staging the digital archive by Arno Gisinger and Georges Didi-Huberman
DOI:
https://doi.org/10.5216/v.v19.55427Keywords:
Curation, Exhibition, ArchiveAbstract
This paper presents the collaborative experience in the design of the exhibitions: Histoires de fantômes
pour grandes personnes; Atlas, Suite; Afteratlas; and Nouvelle histoires de fantômes, established between
the historian of art and philosopher Georges Didi-Huberman and the artist, historian and photographer Arno Gisinger. In these exhibitions means of presentation or staging of a content are articulated consisting
of a digital image file entitled Atlas, Suite. The aim here is to present some possibilities of interpretation
of this content that involve reflective aspects about the image and history intertwined with the experience
of conception and fruition of the art exhibition.
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References
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