Music, Fantasy and Temporality in Hursserl’s phenomenology
DOI:
https://doi.org/10.5216/phi.v25i2.64469Abstract
The article analyzes the question of music in the works of Edmund Husserl. Among the most important works for the theme are the Lessons for a phenomenology of internal time consciousness published in 1905 and volume XXIII of the Husserlian under the title: Fantasy, image awareness and memory. From the phenomenology of intuitive presentifications. Posthumous texts (1898-1925). The article criticizes the readings that limit the understanding of fantasy, a mode of consciousness that generates musical art.
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