WORD AND MUSIC ON NIETZSCHE’S LATE AESTHETICS

Authors

  • Henry Burnett Universidade Federal de São Paulo

DOI:

https://doi.org/10.5216/phi.v20i1.35152

Keywords:

Friedrich Nietzsche, word, music.

Abstract

Taking as a fundamental axis The case Wagner (1888), this article will develop from the relationship between word and music on musical aesthetics late Nietzsche. The use of the Opera Carmen by George Bizet, as possibility of antithesis to the Total work of art program, the composer Richard Wagner, allows one to reflect on the aesthetics-Nietzschean musical of a privileged point of view. Why Nietzsche would have served as a work which he himself considered minor when compared to the Wagnerian musical drama? The answer to that question requires that you understand the deep value is not always clear from the word in musical compositions taken over by Nietzsche at various times of his work. After all, his musical aesthetics favored the word significant or considered mere apparatus of absolute music?

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Author Biography

Henry Burnett, Universidade Federal de São Paulo

Departamento de Filosofia da Unifesp, pesquisador do CNPq

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Published

2015-08-31

How to Cite

BURNETT, Henry. WORD AND MUSIC ON NIETZSCHE’S LATE AESTHETICS. Philósophos a journal of philosophy, Goiânia, v. 20, n. 1, p. 145–162, 2015. DOI: 10.5216/phi.v20i1.35152. Disponível em: https://revistas.ufg.br/philosophos/article/view/35152. Acesso em: 13 dec. 2025.

Issue

Vol. 20 No. 1 (2015): Steady Flow

Section

Artigos Originais

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