"To each their own": the Black Social Clubs and the immateriality of the place in the cultural production of the real

Authors

  • Geslline Giovana Braga Universidade Federal do Paraná

DOI:

https://doi.org/10.5216/sec.v22i2.58394

Abstract

The Black Social Clubs are associations that have emerged in post-abolition in Brazil,
proliferating especially in the Southern Region of Brazil. In 2009, the request for registration
of the Black Social Clubs as Intangible Cultural Heritage of Brazil, for Iphan, in the "Place"
category was made. In the state of Paraná six clubs were mapped, the permanence of such clubs
proposes readings on the slavery and post-abolition, segregation, racism and invisibility of the
black people. The resistance of the clubs and their present configurations defy the notion of
"place" as a category of intangible heritage, expand and dissolve it, produce the real through
memory, meaning and affect. Memories have place, maps and images present in the orality. The
dematerialized place, which no longer exists, or is no longer what it was, exists for the one
who encouraged it. Demonstrating how when the place disappears the photographs occupy
their symbolic functions, representation and production of the real. The existence of the clubs
proposes another production of the real, challenges the social construction of local history, in
which black people were made invisible and subjected to "racial whitening".

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Author Biography

Geslline Giovana Braga, Universidade Federal do Paraná

Doutora em Antropologia Social pela Universidade de São Paulo, São Paulo, Brasil. Pós-doutoranda na Universidade Federal do Paraná, Paraná, Curitiba, Brasil

Published

2019-10-06

How to Cite

BRAGA, G. G. "To each their own": the Black Social Clubs and the immateriality of the place in the cultural production of the real. Sociedade e Cultura, Goiânia, v. 22, n. 2, 2019. DOI: 10.5216/sec.v22i2.58394. Disponível em: https://revistas.ufg.br/fcs/article/view/58394. Acesso em: 17 jul. 2024.

Issue

Section

Thematic Dossier