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A promise of another performance conference that is more bastardized than cheap.

Authors

DOI:

https://doi.org/10.5216/ac.v11i1.82475

Abstract

This performative lecture atr (an abbreviation used in Rio de Janeiro slang for “at full speed”) presents the doctoral artistic research project Conflicted Embodiment, whose central figure is the dancer/performer-researcher. As the project is based at Stockholm University of the Arts, specific issues related to the author's migration process from the global south to the global north (from Argentina/Chile to Belgium and then to Sweden) will also be presented.

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Author Biography

caterina daniela mora jara, Stockholm University of the Arts, Stockholm, Sueden

En primera persona del plural. Actualmente hacemos un doctorado en investigación artística en Stockholm University of the Arts (SKH), Uniarts. Nuestra práctica hospeda dimensiones conflictivas de procesos de corporización como fuerzas generadoras de creatividad. Problematizamos los modos de producción y representación de la danza escénica occidental. Hicimos el postmaster y el Ciclo de Investigación en a.pass (Bruselas, 2019); la Maestría en Teatro y Artes Performáticas (UNA, Dpto de Artes Dramáticas); la Licenciatura en Composición Coreográfica en Danza-Teatro (UNA, Dpto de Artes del Movimiento) y el Profesorado Superior Nacional de Danzas Clásicas y Contemporáneas (IUPA, 2006).

Perreamos solas y no tenemos Instagram.

References

BARBA, Fabián. Quito-Brussels: A Dancer’s Cultural Geography. In FRANKO, Mark, Handbook of Dance Reenactment. New York: Oxford University Press, 2017. P. 399-412.

CADÚS, Eugenia. Danza y peronismo: Disputas entre cultura de elite y culturas populares Buenos Aires: Biblos, 2020.

MORA JARA, caterina daniela. Notes on Conflicted Embodiment. Bélgica, 179. 2025. Disponível em: https://etcetera.be/notes-on-conflicted-embodiment/. Acesso em: 30, abr., 2025.

MORA JARA, caterina daniela. The untranslatable a.pass: the politics of remaining. In HOEGEN, Philippine e MESTRE, Lilia. In In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices. Eindhoven: Onomatopee, 2022. P. 52-59.

SIMON, Sherry. Gender in Translation: Cultural Identity and the Politics of Transmission. London and New York: Routledge, 1996.

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Published

2025-09-02

Versions

How to Cite

MORA JARA, Caterina daniela. A promise of another performance conference that is more bastardized than cheap. Art on Stage Journal, Goiânia, v. 11, n. 1, p. 231–233, 2025. DOI: 10.5216/ac.v11i1.82475. Disponível em: https://revistas.ufg.br/artce/article/view/82475. Acesso em: 6 dec. 2025.

Issue

Vol. 11 No. 1 (2025): Historiographies on the move

Section

Inter View

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Copyright (c) 2025 caterina daniela mora jara

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