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DOI:
https://doi.org/10.5216/ac.v9i1.77938Abstract
The article situates the geological turn in art in the sense of human finitude, defining it both in individual categories and in terms of the entire species. The author applies agency theory to introduce a figure of symbiotic authorship and its surrounding subordinate elements - especially those that can be used to meet the needs of agency development. Abandoning the former patterns of superficial artistic attitudes that continued human expansion, the author postulates the interaction of human and non-human entities as ethical and at the same time more creatively promising, based on the concepts of radical immanence, and relational ontology. A particular concern motivating presented research has been to shift the weight of emphasis both conceptually and methodologically away from anthropocentric vision.
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