A(U/R)TISTIC ECOPOET(H)ICS

A Whirlwind

Authors

  • Julie Dind Brown University

DOI:

https://doi.org/10.5216/ac.v9i1.77411

Abstract

In this paper, I intertwine ecoperformance as a 'windy' word with disability and neurodivergence envisioned as powerful winds of change, as ways of being in the world that offer breathing room to the more- than-human. I first listen to the echoes and resonances between ecoperformance and autistic ways of being in the world, before considering what disability studies can bring to ecoperformance.

Downloads

Download data is not yet available.

Author Biography

Julie Dind, Brown University

Julie Dind is a PhD candidate in Theatre Arts and Performance Studies at Brown University, a butoh dancer and an interdisciplinary artist. She is obsessed with obsession and the performance of the non-normative social body. Her dissertation, provisionally titled “A(u/r)tistic Wor(l)ding” explores autistic modes of performance. Her artistic practice deals with what Fernand Deligny described as the “place that is not the place of saying,” art outside the boundaries of (neurotypical) language. Since 2012, she has collaborated with her a(u/r)tistic partner Rolf Gerstlauer on a multidisciplinary art project titled “Drawing NN inside butoh.”

References

Works cited

Background Noise. The Cambridge Dictionary. Available in: https://dictionary.cambridge.org/dictionary/english/background. Accessed on: 05/11/2023.

BAGGS, Mel. In My Language. YouTube, uploaded by silentmiaow,14 Jan. 2007, https://www.youtube.com/watch?v=JnylM1hI2jc.

BAIOCCHI, Maura. Welcome Words. In: PANNEK, Wolfgang (org). Ecoperformance. São Paulo: Transcultura, 2022, pp. 8-9.

CLARE, Eli. Notes on natural worlds, disabled bodies, and a politics of cure. In: RAY, Sarah Jaquette, and SIBARA, Jay. Disability studies and the environmental humanities: Toward an eco-crip theory. Lincoln: University of Nebraska Press, 2017, pp. 247-266.

DELIGNY, Fernand. The Arachnean and other texts. Minneapolis: University of Minnesota Press, 2016.

DOKUMACI, Arseli. Activist Affordances: How Disabled People Improvise More Habitable Worlds. Durham: Duke University Press, 2023.

GERSTLAUER, Rolf, and DIND, Julie. Cenotaph for Weird’s Well and T[h]ree Missing Bodies. In: PANNEK, Wolfgang (org). Ecoperformance. São Paulo: Transcultura, 2022, pp. 105-111.

ALISON, Kafer. Feminist, queer, crip. Bloomington: Indiana University Press, 2013.

KANNER, Leo. Autistic disturbances of affective contact. Nervous child, v. 2, n. 3 (1943), pp. 217-250.

KUPPERS, Petra. Disability culture and community performance: Find a strange and twisted shape. Berlin: Springer Nature, 2011.

KUPPERS, Petra. Eco soma: Pain and joy in speculative performance encounters. Minneapolis : University of Minnesota Press, 2022.

MANNING, Erin. Always more than one: Individuation's dance. Durham: Duke University Press, 2013.

MANNING, Erin. The minor gesture. Durham: Duke University Press, 2016.

PANNEK, Wolfgang, and BAIOCCHI, Maura. Towards a Symbio-Scene. In: PANNEK, Wolfgang (org). Ecoperformance. São Paulo: Transcultura, 2022, pp. 123-127.

SAVARESE, Ralph James. See it feelingly: classic novels, autistic readers, and the schooling of a no-good English professor. Durham: Duke university press, 2018.

TAANTEATRO COMPANY. What is Ecoperformance? Available in: https://www.ecoperformance.art.br/about-ecoperformance. Accessed on 05/11/2023.

TAYLOR, Sunaura. Age of disability: On living well with impaired landscapes. Orion, v. 40, n. 4 (2021). Available in: https://orionmagazine.org/article/age-of-disability/.

Downloads

Published

2023-12-10

How to Cite

DIND, J. A(U/R)TISTIC ECOPOET(H)ICS: A Whirlwind. Art on Stage Journal, Goiânia, v. 9, n. 1, p. 280–297, 2023. DOI: 10.5216/ac.v9i1.77411. Disponível em: https://revistas.ufg.br/artce/article/view/77411. Acesso em: 19 dec. 2024.

Issue

Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene

Section

Thematic Dossier

License

Copyright (c) 2023 Julie Dind

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

The Art on Stage Journal uses the Creative Commons - Attribution-Non-Commercial 4.0 International license as a basis for transferring rights, for open access journals (Open Archives Initiative - OAI).

Authors who publish in this journal agree with the following terms:

1) Authors retain the copyright and grant the Art on Stage Journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution Non Commercial License.

2) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this Journal (eg, publishing in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.

3) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, provided that the reference to the place of publication is cited, that is, the electronic address / reference of Art on Stage Journal.

4) The authors of the works published in the Art on Stage are expressly responsible for their content.

5) Authors will not be paid for publication of works in the Art on Stage Journal.