WILD COEXISTENCES
Unforenseen and Skullmancy in Performative Creation
DOI:
https://doi.org/10.5216/ac.v9i1.76144Abstract
In this essay, we seek to articulate problems specific to the cosmic (collective) politics of the scene and performance in the face of the presence of non-hegemonic subjects in the discourses of the living arts – the animals. For this, we start from the reflection on the unforeseen during the making of the videoperformance Carcaça (2020) at XXXXXXXX Beach (XXXXXXXX, XX) to rescue peripheral aspects of human-animal relationships such as the absence of relational protocols and the way in which this absence operates under conditions of cooperation in the constitution of an artistic work. In this sense, our writing seeks to emphasize the generalities against which artistic practices are turned and which constitute most of the interspecific relationships – human-animal wild coexistence. The absence of relational protocols introduces other times and other asymmetrical ways of being among bodies, landscapes and unforeseen events into the artistic and pedagogical practice of performance.
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