Entre o cinema e o teatro

A utilização de recursos épico-brechtianos em Bacurau

Authors

DOI:

https://doi.org/10.5216/ac.v7i2.70439

Abstract

This study intends to analyze a clipping of the Brazilian film Bacurau (2019), in order to understand how the form and content of this film can be interpreted and related to some principles of the Brechtian epic theory. Assuming that the epic-Brechtian theater is a powerful agent for social transformations, the posture that must be adopted by the spectators of the epic theater is the distancing effect. In this way, to keep the spectator distanced and, therefore, active, it is necessary to make use of some resources, in the case of this study, we intend   understand the epic-Brechtian gesture and how this concept can be observed for the construction of distance in a cinematographic language .

 

Keywords: epic-Brechtian theater. Interart relations. Bacurau.

Downloads

Download data is not yet available.

Downloads

Published

2022-03-25

How to Cite

DE ALCANTARA DIOGO, B. Entre o cinema e o teatro: A utilização de recursos épico-brechtianos em Bacurau. Art on Stage Journal, Goiânia, v. 7, n. 2, p. 114–151, 2022. DOI: 10.5216/ac.v7i2.70439. Disponível em: https://revistas.ufg.br/artce/article/view/70439. Acesso em: 23 dec. 2024.

Issue

Vol. 7 No. 2 (2021): Black(s) Performance(s)

Section

Thematic Dossier

License

Copyright (c) 2022 Brendon de Alcantara Diogo

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

The Art on Stage Journal uses the Creative Commons - Attribution-Non-Commercial 4.0 International license as a basis for transferring rights, for open access journals (Open Archives Initiative - OAI).

Authors who publish in this journal agree with the following terms:

1) Authors retain the copyright and grant the Art on Stage Journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution Non Commercial License.

2) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this Journal (eg, publishing in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.

3) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, provided that the reference to the place of publication is cited, that is, the electronic address / reference of Art on Stage Journal.

4) The authors of the works published in the Art on Stage are expressly responsible for their content.

5) Authors will not be paid for publication of works in the Art on Stage Journal.