Choreography as an Aesthetic Apparatus

Authors

DOI:

https://doi.org/10.5216/ac.v7i1.68813

Abstract

Scriptural exercise that links the term aesthetic apparatus, forged by the philosopher Déotte, with the term choreography -choreography understood as a structure or organizational event of the dancing body-. Apparatus and choreography have already been related in dance studios; here a new line is proposed. It will be thought what parts of the structure or choreographic event are analogous to the apparatus and how dance can throw an image of apparatus (or sensible display). In turn, and critically, Jacques Rancière's gaze serves here to question the philosophical term and outline one of new emphasis for choreography.

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Author Biography

Sara Gómez Velázquez, Independent Researcher, México

Artista visual y coreógrafa. Investigadora en Arte. Doctora en Filosofía por la Universitat Autònoma de Barcelona; Magister en Investigación en Arte por EINA, Centre Universitari de Disseny i Art de Barcelona. Licenciada en Coreografía por la ENDCC y en Artes Plásticas por la ENPEG "La Esmeralda”. Diseñó las Jornadas de Coreografía Política en 2018 y 2019. Recibió la Beca para Estudios en el Extranjero FONCA-CONACYT (2018-20) y es integrante de la Red Descentradxs - Descentrar la Investigación en Danza.

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Published

2021-07-29

How to Cite

VELÁZQUEZ, S. G. . Choreography as an Aesthetic Apparatus. Art on Stage Journal, Goiânia, v. 7, n. 1, p. 201–226, 2021. DOI: 10.5216/ac.v7i1.68813. Disponível em: https://revistas.ufg.br/artce/article/view/68813. Acesso em: 21 dec. 2024.

Issue

Vol. 7 No. 1 (2021): Decentering Dance Research (Part II)

Section

Dossiê Temático - Eixo 3: Dramaturgias

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Copyright (c) 2021 Sara Gomez

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