EXPERIENCE, THEATER GAMES AND PERFORMANCE- ASPECTS VISIBLE AND NON-VISIBLE ASPECTS
Keywords:
Viola Spolin, Victor Turner, Experience, Theater GamesAbstract
This paper intended to relate the five stages of the procedural structure of the living experience (Erlebnis), proposed by Wilhelm Dilthey (1833-1911) and analyzed by Victor Turner (1920-1983), dialoguing with theater games proposed by Viola Spolin (1906-1994) to perceive aspects not visible at first, but present in the theater game performance. According to the structure analyzed by Victor Turner, the living experience occurs from the following stages: 1) perception; 2) images from past experiences; 3) emotions associated with the events of the past; 4) articulates the past to the present in a "musical relationship"; and 5) the experiment is completed by a form of "expression". Theater games, proposed by Viola Spolin is based on the improvised action, essentially based on three major procedures: Focus, Instruction and Assessment. It is a learning by experience. Considering the theater game as performance, it is possible to establish the relationship between him and the five steps of the procedural structure of the living experience, realizing how the game's performance is full of, but critical to the final expression of the game not visible aspects.Downloads
References
DAWSEY, John C. Sismologia da Performance: Ritual, Drama e Play. Revista de Antropologia. USP. 2007, V.50 nº 2.
SPOLIN, Viola. Improvisação para o Teatro. 5ª edição. Tradução: Ingrid Dormien Koudela e Eduardo José de Almeida Amos. São Paulo: Ed. Perspectiva, 2005.
____________. Jogos Teatrais na sala de aula. 2ª edição. Tradução: Ingrid Dormien Koudela. São Paulo: Ed. Perspectiva, 2010.
TEIXEIRA, Anísio; WESTBROOK, Robert B. John Dewey. Coleção educadores MEC, Fundação Joaquim Nabuco, Recife-PE: Editora Massangana, 2010.
TURNER, Victor. From ritual to theatre: the human seriousness of play. New York: PAJ Publications, 1982.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Karine Ramaldes Vieira
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The Art on Stage Journal uses the Creative Commons - Attribution-Non-Commercial 4.0 International license as a basis for transferring rights, for open access journals (Open Archives Initiative - OAI).
Authors who publish in this journal agree with the following terms:
1) Authors retain the copyright and grant the Art on Stage Journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution Non Commercial License.
2) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this Journal (eg, publishing in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, provided that the reference to the place of publication is cited, that is, the electronic address / reference of Art on Stage Journal.
4) The authors of the works published in the Art on Stage are expressly responsible for their content.
5) Authors will not be paid for publication of works in the Art on Stage Journal.
