Arte, cotidianidade e domesticidade: das metanarrativas aos pequenos relatos contemporâneos
DOI:
https://doi.org/10.5216/vis.v16i2.48292Keywords:
Cotidianity, domesticity, micronarrativesAbstract
This article is about the relations between art, cotidianity and domesticity, analyzed from the observation of a discursive, artistic and cultural direction towards micronarratives and a micro field, reflected in the growing interest of artists in the quotidian, intimate life, the private and the domestic in the art. This interest is renewed since the 1980s, through the use of photography by artists, which enables the production of fictions and new realities set up for the photographic act.
Downloads
References
CEREZO, Álvaro Galmés. Morar: arte y experiencia de la
condición doméstica. Madrid: Ediciones Asimétricas, 2014.
COUCHOT, Edmond. A tecnologia na arte: da fotografia à
realidade virtual. Poto Alegre: UFRGS, 2003.
DANTO, Arthur. Após o fim da arte: a arte contemporânea e os
limites da história. São Paulo: Odysseus, 2006.
FERRANDO, Bartolomé. arte y cotidianeidad hacia la transformación
de la vida en arte. Madrid: Árdora Ediciones, 2012.
FISCHER, Rosa Maria Bueno. Mídia e produção do sujeito: o
privado em praça pública. In: FONSECA, Tania Mara Galli;
FRANCISCO, Deise Juliana (Org.). Formas de ser e habitar a
contemporaneidade. Porto alegre: UFRGS, 2000. p. 109-120.
GASSEN, Fernanda Bulegon. Agenciamentos de visita: nota-
ções pictóricas na fotografia de ambientes domésticos. 2010.
f. Dissertação (Mestrado em Artes Visuais) – Programa
de Pós-Graduação em Artes Visuais, Universidade Federal
do Rio Grande do Sul, Porto Alegre, 2010.
LYOTARD, Jean-François. A condição pós-moderna. 12. ed. Rio
de Janeiro: José Olympio, 2009.
MAH, Sérgio. Sentidos de lo cotidiano. [S.l.: s.n.], [2009].
Disponível em: <http://www.phedigital.com/anteriores/html/phe_dinamica/archivos/descarga.
php?nombre=presentacion.pdf>. Acesso em: 27 jul. 2009.
PEREZ, Karine. “Habitações”: autorretratos como microterritó-
rios subjetivos. 2016. 200 f. Tese (Doutorado em Artes Visuais)
- Programa de Pós-Graduação em Artes Visuais, Universidade
Federal do Rio Grande do Sul, Porto Alegre, 2016.
ROUILLÉ, André. A fotografia: entre documento e arte
contemporânea. São Paulo: SENAC, 2009.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.