Escrever sob o fascínio da imagem – ressonâncias entre o pensamento de Maurice Blanchot e Georges Didi-Huberman
DOI:
https://doi.org/10.5216/vis.v15i2.48066Keywords:
Blanchot. Didi-Huberman. Imagem.Abstract
The article problematizes the concept of image from the thinking of Maurice Blanchot and Georges Didi-Huberman. Exploring especially the concepts of duplicity of the image in Blanchot and double distance of the look in Didi-Huberman, it is intended to compose a starting plan that will allow to verify the points in which one converges in these authors a way of operating the thought about art in its relation to the image. In this game subject and object are thrown into an instability, a movement in which the subject undoes himself by the image, he discards himself in the encounter with a work. Moment when the image asks for the word and where the language becomes the place from which we can approach it.
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