"Dizer no todo": palavra e imagem na obra de Mário Cesariny
DOI:
https://doi.org/10.5216/vis.v15i2.46479Keywords:
Mário Cesariny, Surrealismo Português, palavra, imagem, intertextualidadade, interdiscursividadeAbstract
This article studies the relations between word and image in de work of Mário Cesariny, present in diverse artistic practices as poems-poetry, picto-poems, novels-collage and still in aquamotos and plastic compositions that integrate linguistic references. Through the analysis and understanding of the relations or interaction between plastic, iconic and linguistic signs, we intend to identify and characterize areas of common meaning, made of mutual appropriations, crossover and sharing spaces and confluence of intentions. The study showed relations of intertextuality and interdiscursivity between text and image, speeches and ideological contents.
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