Virtual (and plural) Art Museum
DOI:
https://doi.org/10.5216/vis.v13i1.33885Abstract
This paper is about virtual museums of art, which are web interfaces developed by museums to interact with their audiences. It is based on the "plural museum", a concept proposed by Martin-Barbero, and presents three kinds of interfaces: databases, virtual tours, and digital games. It analyzes the relation between artwork and audience in each interface, then it focuses on digital games of three museums: Tate Gallery in London, Museum Boijmans of Rotterdam, and Virtual Museum of Brazilian Art. It concludes that the use of technology is not necessary nor a guarantee of a "plural museum", as it depends on how the museum understands its own institutional role and relates to its audiences.
Key words: Virtual museum, artwork, Martín-Barbero
Downloads
References
BAHIA, Ana Beatriz. Jogando Arte na Web: Educação em Museus Virtuais. 2008. Tese (Doutorado em Educação) – Centro de Ciências da Educação, Universidade Federal de Santa Catarina, Florianópolis, 2008.
BAHIA, Ana Beatriz. Do quadro ao jogo de fruição: Bosch Adventure Game. In Revista Palíndromo, v. 6, n. 12. Florianópolis: UDESC, 2014. Disponível em: < http://www.revistas.udesc.br/index.php/palindromo/article/view/4659>. Acesso em: 02/02/2015
BAHIA, Ana Beatriz. Museu e Web: arquivos de obras de arte. In XVI Encontro da ANPAP, Florianópolis: UDESC, 2007. Disponível em: < https://www.academia.edu/8514955/Museu_e_Web_arquivos_de_obras_de_arte>. Acesso em: 02/02/2015
BARTHES, Roland. O prazer do texto. 4a edição. São Paulo: Perspectiva, 1996.
________________. O rumor da língua. 2a edição. São Paulo: Martins Fontes, 2004.
BELTING, Hans. O fim da história da arte: uma revisão dez anos depois. São Paulo: Cosac & Naify, 2006.
CHAGAS, Mário. Apresentação. In: ________. (org.). Revista do Patrimônio Histórico e Artístico Nacional - Museus: Antropofagia da memória e do patrimônio, Brasília, n. 31, 2005.
CRIMP, Douglas. Sobre as ruínas do museu. São Paulo: Martins Fontes, 2005.
MANOVICH, Lev. El lenguaje de los nuevos médios de comunicación: la imagen em la era digital. Buenos Aires: Paidós, 2006.
MARTIN-BARBERO, Jésus. Dislocaciones del tiempo y nuevas topografias de la memória. In: HOLANDA, Heloisa Buarque; RESENDE, Beatriz (orgs.). Artelatina: cultura, globalização e identidade cosmopolita. Rio de Janeiro: Aeroplano e MAM-RJ, 2000.
____________________; REY, Germán. Os exercícios do ver: hegemonia audiovisual e ficção televisiva. 2a edição. São Paulo: Senac, 2004.
OMAR, Arthur. Folha de São Paulo (entrevista concedida a Adriana Lift), São Paulo, jun. 1999. Disponível em: <http://www.museuvirtual.com.br/targets/galleries/targets/mvab/targets /arthuromar/targets/entrevistas/languages/portuguese/html/entrevistaarteeweb.html>. Acesso em: 22 mar. 2005a.
__________. Entrevista de Arthur Omar para Guiomar Ramos sobre o anti-documentário em Congo (1972) e O Anno de 1798 (1975) (transcrição de entrevista), out. 1993. Disponível em: <http://www.museuvirtual.com.br/targets/galleries/targets/mvab/targets/arthuromar/targets/entrevistas/languages/portuguese/html/sobreoantidocumentario.html>. Acesso em: 22 mar. 2005b.
V2_ARCHIVE. Jheronimus Bosch internet game. Disponível em: . Acesso em: 15 ago. 2006.
WILL, Chris. Entrevista concedida no Museu Boijmans Van Beuningen, Roterdan, 27 nov. 2006. Notas.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.
