From memory of places to places with no memory: space construction in Manoel de 0liveira - DOI 10.5216/vis.v12i1.33698

Authors

  • Pedro Maciel Guimarães USP

DOI:

https://doi.org/10.5216/vis.v12i1.33698

Abstract

The Portuguese director Manoel de Oliveira makes use of two opposing space creation procedures concerning memory locations. In the first, he uses the space as a trigger memory of the characters, to address his own memories or the collective memory of its people. Then, invests spaces created especially for his movies to avoir naturalistic representation and use the relationship between spaces and memory to denounce the artificiality of the making of a film.

Keywords : Manoel de Oliveira, portuguese cinema, aesthetics and film history

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Published

2014-06-01

How to Cite

GUIMARÃES, P. M. From memory of places to places with no memory: space construction in Manoel de 0liveira - DOI 10.5216/vis.v12i1.33698. Visualidades, Goiânia, v. 12, n. 1, 2014. DOI: 10.5216/vis.v12i1.33698. Disponível em: https://revistas.ufg.br/VISUAL/article/view/33698. Acesso em: 19 may. 2024.

Issue

Vol. 12 No. 1 (2014)

Section

Articles

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