Female visualities: exhibitions of womens artists in Brazil and Portugal - DOI 10.5216/vis.v12i1.33691
DOI:
https://doi.org/10.5216/vis.v12i1.33691Abstract
This article presents one of the most known regenerating means, re-signifying and diffuser of visualities: the museum’s exhibitions. We intend to demonstrate the importance of this type of event in the museum’s context and for the society, from a perspective that integrates sociomuseology and gender. These concepts were applied to a comparative analysis of two new recents exhibitions dedicated to the artist women, seen in cases of Brazil and Portugal.
Keywords: Sociomuseology, gender, women artists
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