Subjectivities between teaching and pedagogical apparatus: what move us to learn? - DOI 10.5216/vis.v11i2.30685
DOI:
https://doi.org/10.5216/vis.v11i2.30685Abstract
What move us to learn are intangible and invisible subjective processes set in motion in the body and with the body. Social practices and interpersonal forms of relations shape our perceptions of ‘self’ and ‘other’ constructing repertoires that characterize our insertions in the different communities in which we are part. The relations between subjectivity and institutional structures are guided by tensions which extend themselves to the formal conditions of learning. Desires, motivations, affects, doubts and instabilities trespass the timings of learning when being confronted with the resources and pedagogical apparatuses we utilize. Visual culture education proposes to tension and problematize these various trespassing trying to establish transits between subject and collectivity, cultural practices and subjectivities, the thoughtless and the objective, through living experiences which animate us to question and to continue learning as educators and/or students.
Keywords: Learning, lived body, subjectivity, visual culture education.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.