Visual echoes: a phenomenological look on artistic creations by Picasso - DOI 10.5216/vis.v10i1.23095
DOI:
https://doi.org/10.5216/vis.v10i1.23095Abstract
I write this article after remembering a visit to the collection of the Museum Art Center Queen Sofia , in Madrid, where I dwelt on the observation of the images created by the Spanish master in 1937. The masterpieces brought to memory another exhibition: “Picasso war years – 1937-1945”, in the Museum of Modern Art in Rio de Janeiro, in the now distant 1999. The experiences as a spectator touched me to such an extent, that I want to talk, not about the visits to the exhibitions, but through them. Thus, in an interdisciplinary attitude, use the support of Gaston Bachelard’s phenomenology and Susan Sontag’s counter-interpretation in order to reflect on the emotions felt.
Key words: Art and philosophy, bachelardian phenomenology, artistic creations by Picasso
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