A forma idealizada do eu - DOI 10.5216/vis.v3i2.17965
DOI:
https://doi.org/10.5216/vis.v3i2.17965Abstract
Segundo as conclusões de Morin, o elemento novo no conjunto de aptidões e habilidades superiores do sapiens está na pintura e na sepultura, que constituem o marco inicial de sua atividade inteligente. A pintura, repleta de significados, pode ser considerada como uma forma de linguagem, que se remete a um tempo diferente do presente, e a sepultura mostra que a espiritualidade surge no seio da mente humana, pela crença em uma nova vida, após a morte, em que a identidade do morto seria preservada. Seguindo essa idéia, é possível deduzir que a maior expressão da natureza pensante reside na sua capacidade de definir essa identidade e tal individualização passa pelo acréscimo de roupas e ornamentos ao corpo.
Palavras-chave: corpo, identidade, vestuário.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.
