PRE-APPEARANCE (VOR-SCHEIN) AND ENIGMA (RÄTSEL) IN THE WORK OF ART: UTOPIA AND AESTHETIC IN ERNST BLOCH AND THEODOR W. ADORNO
DOI:
https://doi.org/10.5216/phi.v21i1.39743Keywords:
Aesthetic, Enigma (Rätsel), Pre-appearance (Vor-Schein), Utopia.Abstract
This article aims to present the utopia in the aesthetic horizon of Ernst Bloch and T. W Adorno, from the dialectical approach of Principle Hope (Das Prinzip Hoffnung) and Aesthetic Theory (Ästhetische Theorie). We started from the origin and deployments of the concepts of Pre-appearance (Vor-Schein) and Enigma (Rätsel) and their connections to utopia. The pre-appearance (Vor-Schein) notion is closely linked to daydreams which are art modelers. As art modelers, daydreams anticipate a better world which art anticipates by the Pre-appearance (Vor-Schein) of the visible. In Adorno, we start from the relationship between the content of truth and Enigma (Rätsel) to find a link between that relationship and the utopia. So, our interpretative hypothesis is that in the aesthetic horizon Bloch and Adorno utopia approaches these two philosophers.Downloads
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