Silvestre, by Wagner William: constelation and trace
DOI:
https://doi.org/10.5216/v.v19.65576Keywords:
Comics, Walter Benjamin, Aby WarburgAbstract
This article analyses the work Silvestre, by Wagner William, through notions extracted from the dialogue between Walter Benjamin and Aby Warburg, under the mediation of George Didi-Huberman. With the help of those theorists, it will be possible to demonstrate how comics are privileged territories for the discussion about the history of culture, its crisis and maintenance procedures, besides establishing a concept of image that emphasizes its deconfiguring, shapeless, non-representable and semi-legible elements, procedures that turn into a strategy of poetic realization.
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BENJAMIN, W. Passagens. Belo Horizonte: Universidade Federal de Minas Gerais; São Paulo: Imprensa Oficial do Estado de São Paulo, 2007.
DIDI-HUBERMAN, Georges. O que vemos, o que nos olha. Tradução Paulo Neves. São Paulo: Ed. 34, 1998.
POUND. Ezra. ABC da literatura. São Paulo: Cultrix, 2006.
MCCLOUD, Scott. Desvendando os quadrinhos. São Paulo: M.Books do Brasil Editora Ltda, 2005.
WARBURG, Aby. A presença do antigo. São Paulo: Editora da Unicamp, 2018.
WILLIAM, Wagner. Silvestre. São Paulo: Editora Darkside, 2019.
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