Rage, irony, joy

modes of resistance in the 1970’s Brazilian art

Authors

DOI:

https://doi.org/10.5216/vis.v17.58183

Keywords:

Art and Politics, Brazilian Avant-Garde Art, Art and Emotion

Abstract

This paper analyses the relationship between avant-garde art and cultural resistance during 1970’s in Brazil. In view of the Institutional Act Number 5 (AI-5), the spread of censorship, the institutionalization of repression and the social effects of “Brazilian Miracle”, the artistic production developed a critic rhetoric against the authoritarianism. Thus, this paper suggests that much of 1970’s Brazilian art reacted to the oppressive context through three modes of resistance: the “fury signifier”, the “party-form” and “counter-communication”, each one related to three basic emotions: rage, joy and irony.

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Author Biography

Artur Freitas, Universidade Estadual do Paraná

Doutor em História pela Universidade Federal do Paraná e professor Associado do curso de Artes Visuais e do Programa de Pós-Graduação em Artes da Universidade Estadual do Paraná.

Capa Revista Visualidades

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Published

2020-01-27

How to Cite

FREITAS, A. Rage, irony, joy: modes of resistance in the 1970’s Brazilian art. Visualidades, Goiânia, v. 17, p. 22, 2020. DOI: 10.5216/vis.v17.58183. Disponível em: https://revistas.ufg.br/VISUAL/article/view/58183. Acesso em: 4 dec. 2024.

Issue

Vol. 17 (2019)

Section

Articles

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