O corpo feminino, o movimento e a fluidez: as ninfas em Victor Meirelles e Pedro Américo

Authors

  • Daniela Queiroz Campos Professora Visitante Universidade Federal da Bahia

DOI:

https://doi.org/10.5216/vis.v15i1.45086

Keywords:

Image, Feminine body, Nymph

Abstract

This research approaches the female body construction in the nineteenth century in the Brazilian painting. The study aims to problematize the female bodies formulated from the parameters of the newly established Academy of Arts in Brazil in dialogue with the theoretical questions elaborated by Aby Warburg and Didi-Huberman - the nymph, with emphasis. Aby Warburg presents the Nymph particularly in his doctoral thesis, in his writings on Domenico Ghirlandaio and in his Atlas Mnemosyne. The nymph will be mainly analyzed in the paintings of outstanding eighteenth-century Brazilian painters, such as Victor Meirelles and Pedro Américo.

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Author Biography

Daniela Queiroz Campos, Professora Visitante Universidade Federal da Bahia

Doutora em História Cultural pela UFSC. Pós-doutoranda pela EHESS de Paris sob a supervisão do Professor Doutor Georges Didi-Huberman. Bolsista CNPq.

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Published

2017-11-21

How to Cite

QUEIROZ CAMPOS, D. O corpo feminino, o movimento e a fluidez: as ninfas em Victor Meirelles e Pedro Américo. Visualidades, Goiânia, v. 15, n. 1, p. 29–60, 2017. DOI: 10.5216/vis.v15i1.45086. Disponível em: https://revistas.ufg.br/VISUAL/article/view/45086. Acesso em: 22 nov. 2024.

Issue

Vol. 15 No. 1 (2017)

Section

Articles

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