Images that come. For an anthropology of the photographic image in The camera lucida - DOI 10.5216/vis.v12i2.34480

Authors

  • Rodrigo Fontanari UNICAMP

DOI:

https://doi.org/10.5216/vis.v12i2.34480

Abstract

The more than thirty years since the French publication of The camera lucida , this article seeks to make a foray considered this last work in the Roland Barthes’life, one of the most important thinkers of the twentieth century, from the preparatory notes for writing this book, found at “Grand Fichier ” Barthes currently deposited in the Bibliothèque National de France  (BNF), notably the “pochette ” entitled “Photo”. These notes, its clear that Barthes, in addition to the semiotician who was also proves to be an anthropologist of the images you are looking for another look at the world of images that draw from the status of mere surface superficialities.

Keywords: Image, photography, Roland Barthes

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Published

2015-03-13

How to Cite

FONTANARI, R. Images that come. For an anthropology of the photographic image in The camera lucida - DOI 10.5216/vis.v12i2.34480. Visualidades, Goiânia, v. 12, n. 2, 2015. DOI: 10.5216/vis.v12i2.34480. Disponível em: https://revistas.ufg.br/VISUAL/article/view/34480. Acesso em: 17 jul. 2024.

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Articles