Projects “Meetings” and “ø25 – FOURTH LAKE” from Poéticas Digitais Group - DOI 10.5216/vis.v12i2.34475
DOI:
https://doi.org/10.5216/vis.v12i2.34475Abstract
Poéticas Digitais Group was created in 2002 in the Visual Arts Department at School of Communication and Arts of University of São Paulo to create a multidisciplinary center, promoting the development of experimental projects and reflection on the impact of new technologies in the field of arts. The Group is an unfolding of the wAwRwT project started in 1995 by Gilbertto Prado and has as participants lecturers, artists, researchers and students. The aim of this article is to present some recent experiments such as “Encontros” (meetings - 2012) and “Ø25 – QUARTO LAGO” (Ø25 - FOURTH LAKE), 2013.
Keywords: Interactive installation, network art, media art
Downloads
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.
