Cindy Sherman: a bodily cryptography* - DOI 10.5216/vis.v9i1.18377
DOI:
https://doi.org/10.5216/vis.v9i1.18377Abstract
This essay invites us to reflect on the relationship we have both with time and in the time we call our own. As a result, the value of contemporary here alluded implies not simply belonging to a context defined chronologically, but a reading operation that problematizes this belonging, the context and its limits and timeframes, making use of the photographic series of visual artist Cindy Sherman as intercessor.
Keywords: Visual culture, scopic regimes, dispositif
* This article was originally published in v. 8, no. 2, July/Dec 2010 and reprinted by technical problems. In the previous edition, the references and footnotes were not printed.
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