Live cinema and interactive cinema: an analysis from Hangover - DOI 10.5216/vis.v9i1.18371
DOI:
https://doi.org/10.5216/vis.v9i1.18371Abstract
In this paper, an analysis of Hangover (2008), movie by Bruno Vianna, is presented. The film’s main characteristic is the live edition. Inserting it in the context of live cinema and bringing it closer to interactive cinema, we try to understand the process of scriptwriting, edition and its relation with the audience. As method, interviews with the audience and with the director are used, besides bibliographical research.
Keywords: Hangover, interactivity, live cinema
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