ANDROMAQUIA on-line: [autor]retrato coletivo na [des]construção de uma identidade coletiva - DOI 10.5216/vis.v7i2.18191
DOI:
https://doi.org/10.5216/vis.v7i2.18191Abstract
Este artigo discorre sobre a [des]construção identitária processada na obra interativa Andromaquia On-Line (2004), integrante do núcleo digital de minha série artística Auto-Retrato Coletivo (1987-), organizada como um repositório crítico das representações marcadas por estigmas sociais. Ancorado no conceito de auteur en collectif de Weissberg, proponho a noção de poétiques en collectif : poéticas em coletividade (ou poéticas em coletivo) como procedimento de apropriação artística e tecnopolítica dos mecanismos de produção das representações da realidade.
Palavras-chave: Interatividade, auteur en collectif, poéticas em coletividade
Downloads
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.
