Política das artes: Mário Pedrosa e a defesa da arte independente - DOI 10.5216/vis.v7i2.18187
DOI:
https://doi.org/10.5216/vis.v7i2.18187Abstract
A partir de meados da década de 1940 e durante a década de 1950, os escritos de Mário Pedrosa realçaram a importância revolucionária da dimensão estética. Se o reatamento entre arte e produção em massa parecia cumprir anseios democráticos e socializadores no mundo moderno, a dimensão estética era capaz de oferecer aos homens a amplitude da transformação social que se processava. Desde o construtivismo russo até as manifestações mais renovadas da tendência construtiva – entre elas, o concretismo – visavam objetivar o trabalho artístico, inserindo-o na atividade coletiva e emancipadora da sociedade baseada no planejamento da produção. Essa foi a grande contribuição da arte moderna, que aproximou o artista do trabalhador.
Palavras chave: Mário Pedrosa, projeto construtivo, revista vanguarda socialista, política das artes
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