corpoCasasCidade - DOI 10.5216/vis.v6i1eI2.18079

Authors

  • Lucimar Bello P. Frange UFG

DOI:

https://doi.org/10.5216/vis.v6i1ei2.18079

Abstract

Processo de criação: desenhos de “corpoCasasCidade”. Percursos conceituais e operacionais, enfocando o corpo e subjetividades; a CasaAbrigoExílio e a Cidade.

Palavras-chave: Processos de criação, subjetividade, micropolíticas

Downloads

Download data is not yet available.

Downloads

Published

2012-04-18

How to Cite

P. FRANGE, L. B. corpoCasasCidade - DOI 10.5216/vis.v6i1eI2.18079. Visualidades, Goiânia, v. 6, n. 1 e 2, 2012. DOI: 10.5216/vis.v6i1ei2.18079. Disponível em: https://revistas.ufg.br/VISUAL/article/view/18079. Acesso em: 22 nov. 2024.

Issue

Vol. 6 No. 1 e 2 (2008)

Section

GT2 - Poéticas Visuais e processos de criação

License

Licença Creative Commons
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:

a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.

b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.

c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.