El neobarroco a través de las sombras de Fernando Sinaga - DOI 10.5216/vis.v5i2.18057
DOI:
https://doi.org/10.5216/vis.v5i2.18057Abstract
Corazón Celado (Larvatus Prodeo), 2001, e Instante Fugaz, 2001, son dos obras del artista Fernando Sinaga que exponen estructuras creativas características de la estética del arte contemporáneo. En su libro La Era Neobarroca, Omar Calabrese define la emergencia de estas estructuras como un espíritu de nuestro tiempo o, como señala Paolo Fabbri, una “estética social” que se manifiesta por razones de gusto e interés mediante propiedades afines a las barrocas, en cuanto a sus estructuras y relaciones formales, semánticas y receptivas. En este texto coincido con Calabrese al referirse a estos patrones neobarrocos como características que no son nuevas, tan sólo modelos más afines con la contemporaneidad, estructuras que excitan el interior socio-cultural y que nos ayudan a comprender el tiempo metamórfico, abierto e incierto en que se manifiesta.
Palabras claves: arte, sombra, contemporaneidad
Downloads
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.
