A mulher índia nas produções cinematográficas da década de 70 - DOI 0.5216/vis.v1i1.17871
DOI:
https://doi.org/10.5216/vis.v1i1.17871Abstract
O objetivo deste artigo é analisar as várias maneiras utilizadas por diretores brasileiros, na década de 701, para representar as índias brasileiras. As análises aqui apresentadas baseiam-se em dados histórico-políticos, empregando as abordagens de Christian Metz sobre voyeurismo nos filmes e de Laura Mulvey sobre prazer visual e narrativa cinematográfica. Um dos pontos questionados neste trabalho é como a política cultural do Estado na época influenciou os diretores em suas representações da mulher indígena. A representação ou fabricação do outro nunca é neutra, devido às próprias fantasias, excessos, projeções, ideologias e interesses políticos dos diretores dos filmes.
Palavras-chave: filme brasileiro, índias, representação
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