Desvios do espetáculo autobiográfico Revele!
DOI:
https://doi.org/10.5216/ac.v8i1.72495Abstract
The article discusses the main deviation strategies of the autobiographical show Revele!, staged in Salvador in 2018 and 2019. The theoretical perspective of the work is based on the notions of crisis of drama and deviation, formulated respectively by Peter Szondi and by Jean- Pierre Sarrazac, in conjunction with expanded notions of dramaturgy such as those proposed by theorists José Sanchez and Joseph Danan. The study also dialogues with the work of other artists and theorists such as Fernando Kinas, Patrice Pavis and Erika Fischer-Lichte. The text presents an analysis of the main aspects of the montage that differ from traditional poetics, or from the majority aesthetic conceptions, and which are recurrent in contemporary theater, particularly in the scenic forms known as conference-play, or conference-spectacle. The deviations identified in the study indicate as the main strategies of these forms the direct enunciation to the audience, the monodramatic discourse and the attempts to emerge the real on the scene.
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