Guest Editors' Introduction to the SBCM 2025 Dossier

Micael Antunes; Gustavo Bonin

doi:10.5216/mh.v26.86702

Autores

Micael Antunes Aix-Marseille Univ., CNRS, PRISM, LIS, InCIAM, Marseille, Bouches-du-Rhône, France antunes@prism.cnrs.fr https://orcid.org/0000-0002-0551-388X
Gustavo Bonin Universidade de São Paulo (USP), São Paulo, São Paulo, Brasil boningustavo@gmail.com https://orcid.org/0000-0002-1070-623X

DOI:

https://doi.org/10.5216/mh.v26.86702

Palavras-chave:

Simpósio Brasileiro de Computação e Música, Música Computacional, inteligência artificial

Resumo

Este número da Música Hodie apresenta um dossiê dedicado ao SBCM 2025, o 19º Simpósio Brasileiro de Computação Musical, sediado pelo NICS/UNICAMP. Realizado em um contexto de crescente projeção internacional e de diversificação interna da área, o simpósio reuniu contribuições provenientes de diferentes regiões do Brasil, bem como da Itália, dos Estados Unidos, da Argentina e da Colômbia.

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Biografia do Autor

Micael Antunes, Aix-Marseille Univ., CNRS, PRISM, LIS, InCIAM, Marseille, Bouches-du-Rhône, France antunes@prism.cnrs.fr

Micael Antunes is a researcher and composer affiliated with Aix-Marseille University, CNRS, PRISM Laboratory (UMR 7061), LIS, and InCIAM, France. He holds a Ph.D. in Computer Science and conducts interdisciplinary research at the intersection of computer-assisted composition, generative artificial intelligence, music information retrieval, and computational creativity. His work explores interpretable generative models for music composition, symbolic music analysis, and the integration of artificial intelligence into contemporary compositional practice.

Gustavo Bonin, Universidade de São Paulo (USP), São Paulo, São Paulo, Brasil boningustavo@gmail.com

Gustavo Bonin is a composer, clarinetist, and researcher. He holds a Ph.D. in Music, with an emphasis on Sonology and Creative Processes, and an M.A. in Musicology from the School of Communications and Arts at the University of São Paulo (ECA-USP), Brazil. He conducts postdoctoral research in Linguistics and Semiotics at the Faculty of Philosophy, Languages and Human Sciences of the University of São Paulo (FFLCH-USP). His research focuses on musical enunciation, tensive semiotics, contemporary music theatre, and the interaction between musical language and other artistic practices. He was previously a substitute professor of Music Perception at the Federal University of Rio de Janeiro.