Transborder collaboration between the saxophone and violin in classical and popular music

Resumo

This study aimed to identify the specific features of musical interaction between the saxophone and violin in both academic and popular performance contexts, with particular emphasis on the transformation of performance functions during adaptation processes. The research involved an analysis of instrumental duets in the classical repertoire, using adaptations of works by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart as examples. The findings indicate that the interaction between violin and saxophone in classical arrangements is grounded in processes of functional reconstruction: instrumental parts undergo transformation to preserve compositional integrity within a limited instrumental line up. In particular, the saxophone assumes both melodic and contrapuntal roles, necessitating a reconsideration of articulation and dynamic solutions. Conversely, the violin alternates between an accompanying and rhetorically leading role, compensating for the breathing limitations of the wind instrument. In the repertoire of popular music, the interaction is based on pronounced timbral contrast, improvisational variability, and an emotionally expressive structure. An examination of instrumental duets by Sax&Violin (Canada), Enzo Buonaurio and Petar Markoski (Italy/North Macedonia), and Chris Mitchell (USA) revealed the use of stage strategies that combine technical virtuosity with communicative expressiveness. Comparative analysis showed that the academic tradition prioritises textual fidelity and a balanced distribution of functions, whereas popular music tends towards individualised dramaturgy and stylistic flexibility. The practical significance of the study lies in the development of methodological guidelines for composers, arrangers, and performers working with mixed duets.